Strange Fits of Passion Have I Known

I'm writing a Symphony for Chorus in short to try and get money for college. I should have started 5 months ago but yesterday I embarked, and since I long ago said I'd never write lyrics again I needed to find some poetry. I decided on William Wordsworth's 5 "Lucy Poems". One nice thing about putting the poetry to music is that you memorize the poetry by accident. Check this out:

Strange fits of passion have I known:
And I will dare to tell,
But in the Lover's ear alone,
What once to me befell.

My initial thought was that Billy Wordsworth was wispering sweet nothings in his lover's ear about the shiver's she sends up his spine. But I'd contend that it is really much deeper than that. "Strange fits of passion" can be read as the moments when love of God overwhelms the soul and all you can do is shout "God is awesome". And "the Lover" can also be thought of as God, who unceasingly loves perfectly. So you have 4 things he can be saying then (pardon the ineloquent language):

1) I tell her how great she is
2) I tell God she is great
3) I tell her how great God is
4) I tell God how great God is

I think the 4 lines encompass all 4 interpretations. Wordsworth and Lucy (if she ever existed) aren't just a lustful grouping. To Wordsworth (and probobly only in Wordsworth's at this point slightly irrational mind), Lucy parallels the divine. The passionate response to God that comes in private prayer is paralleled with the response that company with Lucy brings. And Wordsworth is seemingly humbled (and embarrassed) by both. He only says how perfect the Lucy/God parallel is in life to one of them, and in the poem only under the ambiguous term "Lover".

I'm semi-neglecting the other 6/7ths of the poem right now. But can words even describe how incredibly better a Lucy that parallels the divine is than a Lucy that parallels a English Romantic wench?